Showing posts with label brooch. Show all posts
Showing posts with label brooch. Show all posts

Monday, 10 January 2022

On the 5th Day of Christmas...

... this blogger gave to thee...
... five gold things!..
... four FX plushies...
... three midnight magnets...
... two tricks and treats...
....a tale of lovely lore.


My grandpa always had a saying, "if it ain't bugs, the lum reeks", meaning if it's not one thing, it's something else. He said this to me a million times in my life, and it's one of those grandpa-isms that will always live in my brain, rent free and make me smile, because it's true.

And so, with that weird little saying, I'm giving you for Day 5, five jewellers and piece of jewellery that look like insects but aren't. Because who doesn't love an odd little segue into jewellery that's one thing, but looks like another.   



The first insect inspired piece of jewellery is this beautiful hand textured bumblebee necklace by the jewellery designer and maker, Alex Monroe.

The design is synonymous with the English designer, and has been seen on the necks of more than a couple of celebrities, and I've been in love with it for a few years. There's something beautifully accurate and simple about the design that has rightfully become an icon to the brand. 

"The bee represents a whole array of thoughts and emotions for me; 
Feminine strength, beauty, vulnerability, the Renaissance idea of the 
inevitable pain of love, community. There is a nostalgic Britishness to 
the bee, Beatrix Potter and the cottage country garden. And then of 
course there is the environmental role of bees, pollinating the world’s 
food while under constant threat from pollution. There is so much 
symbolism in my bee… I can see most of what I was after, and I hope 
people who buy or wear one might see just a little bit of my inspiration
in their bee, and of course, they will have their own ideas about what 
their bee means to them too!" (Alex Monroe)


With a career that spans thirty years, Monroe's nature inspired work is full of very nostalgic British iconography. Created by him and his team in his Bermondsey, London workshop, the designs start as sketches, then are sculpted in silver before being moulded, cast in precious metals, soldered together, plated, polished, stones set and finished. But it's the hand sculpting straight into the metal that gives his designs their signature textural appeal.


There are lots of other designs, including more entomological one such as the limited edition Dor Beetle Necklace set with Demantoid Garnets (the rarest of garnets because their green) from 2017, however the bumble bee stands out as something special.

Monroe has found his niche and has cultivated it, and has created a design that is popular because it's not only beautiful, but beautifully made. It's something to be admired because finding your niche is not always easy, and seeing I have his memoir, Two Turtle Doves, sitting next to my bed to read like a true jewellery geek, I should probably finally read it and see how it's done.


Link || Two Turtle Doves: A Memoir of Making Things by Alex Monroe || Website || Amazon || Waterstones || Blackwells || Abe Books || Bloomsbury || Good Reads





Now design number two gives me a very instinctive, nostalgic memory, which shouldn't be taken as an insult, because it's purely visceral. These insect rings kind of reminds me of those gold gem rings that you used to get in crackers and gumballs machines when you were a kid. In the best way possible seeing I loved and coveted these things as a child. It's a tiny curio shaped in a form that many people find to be frightening or disgusting, and turning it into something beautiful, a teeny bit creepy and fascinating.

If I'd gotten something like this out of a gumball machine I'd probably still have and wear it, because this ring is elegant, modern and is a really interesting take on the tradition of insect based jewellery seen all over the world. In particular that of the Egyptian scarab ring, which featured carved or cast scarab beetles set like a stone.

Designed by siblings Paola and Humbert Sasplugas, founders of Barcelona based PDPAOLA, the Courage Beetle Ring from the House of Beetles Collection, is part of the pairs attempt to capture this historical importance and meaning that insects have had ceremonially, spiritually and decoratively for centuries, but give it their own modern twist. 

"Beetles have played different roles in human history. Thanks to their
beauty, complexity and presence in the natural world, this insect has
been the protagonist in folklore, art, and literature (from West to East).
Beetles represent a real connection between us."

The ring is made of 18k gold plated sterling silver, and studded with labradorite (personally one of favourite gemstones), apple green, champagne and violet zirconia to mimic the body and wing casing of their representation of a stag beetle, and I'd wear this in a heartbeat because it's that weird mixture of creepy and cute that I love. It's suitably anatomical that you know what it is, but not as though you're wearing a real bug on your hand, plus I really appreciate the subtle use of gemstones in these soft, muted colours rather than going for true jewel tones, because that, I think, would cheapen the design into the realms of costume jewellery and take it away from the "rebellious elegance with the right amount of effortless cool" that the brand strives for.

If I wore rings, I would definitely wear this and be completely obsessed by the little critter.


Link || PDPAOLA || Website || Instagram || Twitter || Facebook || TikTok || Pinterest || Spotify || YouTube
Link || Jewelry Cool-to-know Curiosities and Facts via PDPAOLA: The Mag (Blog)
Link || Beetles: Art and Culture Worldwide via PDPAOLA: The Mag (Blog)
Link || Scarab Ring || Wikipedia





Zoe Arnold is a jewellery designer and maker who I have admired for a long time, and it's not only because of her skill and technique she uses in her work, but the fact that they're objects of curiosity first. They're treasures, with their own little stories.


Bees are a frequent feature in Arnolds work, these beautiful fat bottomed insects are tiny little metal sculptures in their own right, and look like they're taking the place where a real bee should be preserved. However a huge part of her work in general, is the narrative she creates, many of her pieces of jewellery being based on her own poetry and stories, which is often her starting point, allowing her to add depth to her work and not leave it at the purely aesthetic. 

Arnold is also a collector, scouring flea markets and antique fairs to find oddities, as well as broken bits and pieces which to anyone else would be useless, but to her, are objects to be treasured and are full of potential use in her art. Most of her work is also housed in oak boxes or frames, different elements gathered together to create a piece of jewellery, and then allowed to have a home when not worn, to be displayed and treasured as not just an adornment, but art itself.

This unique, thoughtful approach to design is something I really appreciate, and why I always liked jewellery such as Arnold and Wendy Ramshaw, who build this secondary means of display directly into their artwork. I've never really liked the fact that when a piece of jewellery wasn't being worn, it was something that would put into a box, placed in a drawer and hidden away to keep it safe. Art is meant to be viewed, and handmade jewellery, which a metalsmith has toiled over, is art. It's their art and it shouldn't be hidden.

And I know I'm guilty of it too. But I think it's something more jewellers should think about, because no one wants their art relegated to a drawer under some socks.


Link || Zoe Arnold || Website || Instagram || Facebook || Pinterest
Link || Featured Artist: Zoe Arnold by Kate Tweddle via tweddlejewellery



(Brooch: Insects_ mantis || 2014 || Frog’s skin, leather, sterling silver, polymer clay, beads || 5.5 x 15 x 7 cm || Photo by: Kwangchoon Park)

I'm going to go ham with this next designers work because I think they're really cool pieces of design and I couldn't pick just one when I find them all so interesting.

Created by Seoul based jeweller, Yojae Lee, her work is made up of large scale, mixed media representations of insects that for many people have incredibly negative connotations, but are often incredibly beautiful when looked at in detail. 

(Brooch: Insects_ beetle || 2014 || Frog’s skin, leather, sterling silver, polymer clay || 9 x 15 x 7.4 cm || Photo by: Kwangchoon Park)

(Brooch: Insects_ spider || 2014 || Frog’s skin, crab’s shell, leather, sterling silver, polymer clay || 8 x 14 x 3 cm || Photo by: Kwangchoon Park)

"In a circumstance where discomfort and negativity are experienced, 
we tend to withdraw our gaze. To conceal repulsion itself, we embrace 
it with beauty. Although an insect exists as a familiar being, we often 
forget about this. Its value is only acknowledged when drawn with a 
flower or ornamented with jewelry. [...]  My work begins from a 
straightforward view. Each and every part of its body consisting of six
legs, two feelers and skin… My desire to express it the way it 
synchronizes and integrates with my imagination.
(Extract from Yojae Lee Artist StatementKlimt02)

(Brooch: Spider || 2017 || Frog skin, leather, sterling silver, polymer clay, oxidized, gold plated || 25.5 x 33 x 4 cm || Photo by: Kwangchoon Park)

I know for a fact that the Spider brooch will have caused discomfort for some, but it also highlights Lee's remarkable use of different media to create a cohesive design. Made up of materials including frog skin; leather; crab and other shells; rabbit fur; polymer clay as well as beads, semi-precious stones such as jade and sterling silver, each material brings it's own unique texture, colour or shape to emulate insects we're all familiar with on a grand scale.

Again, this isn't just about a little bug brooch you hide away in the sock drawer, but statement pieces which are meant to give a visceral, potential uncomfortable reaction and they're meant to be displayed and celebrated.

I think these are incredible and if I'm honest I didn't realise half of the materials Lee was using until I saw the materials listed and could suddenly see the creativity. These are wonderful, and if you want to see more of her work head to her Instagram or Klimt02 to see more. 


Link || Yojae Lee || Instagram || Klimt02 || Korean Contemporary Jewelry





Finally is the work of Jongseok Lim, another Seoul based jeweller, whose work I initially mistook for Yojae Lee's, and at first glance it could be justified, until you see the incredible manner in which he creates them. These are all made using a technique that has been being used in jewellery since 3,000 BC, filigree. 



Filigree is a jewellery technique where fine gold or silver wires are twisted togethers into threads, formed and then soldered together or to the surface of your object in intricate patterns to form an almost lace like piece of metalwork. It is an artform which has fallen out of fashion, but some jewellers still make incredibly beautiful and modern designs with it, and in Lim's case he's using the traditional technique to hand fabricate the bodies and limbs of his insects.


These insects don't look like filigree as many people would know it, but the twisted threads of silver brings an incredible amount of texture and dimension to these unique pieces of jewellery.

I think these are unbelievable.

Link || Jewelry Brooch: Jong Seok Lim via Designer Party
Link || Filigree || Wikipedia



Insect based jewellery isn't a new thing, it's been a motif that's appeared in fashion for thousands of years, and over the last few has had yet another resurgence with iconic fashion brands such as Dior and Alexander McQueen creating garments crawling with embroidered and beaded bugs. Though did it ever really go away? Butterflies are insects and are an incredibly common and accepted motif in fashion and jewellery, but they're pretty, not dirty or scary.

Insects are amazing, if you can get past the creepy crawly fear and actually look at them, lots of them are little jewel-like creatures that are incredibly interesting, inspiring and beautiful, for ugly bugs


Happy New Year! Part six is definitely dressed and ready and out the door on the way to the party, it's definitely not still getting ready...

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Listening: Spiderwebs - No Doubt

Friday, 25 December 2020

On the 1st Day of Christmas...

... I give to you...
... a little souvenir.


"It's that little souvenir 
Of a terrible year
Which makes my eyes feel sore [...]"


I'm going to start off the 12 Days in an understated way, with a simple and pretty appropriate piece of jewellery. 


This enamel pin by Candles of Her Brain, says it all for me, because let's all agree 2020 has been crap for everyone, and a complete and utter shit show others, in one way or another. So this is pretty much all I'd like to take away as a memento.

The pin - though the designer doesn't specify it - is a lyric from the song Here's Where The Story Ends by The Sundays, an English alternative rock band whose debut album, Reading, Writing and Arithmetic, on which this song appears, was released in 1990, so is now thirty years old! 


I was probably still listening to my parents music in 1990, I can't remember anything specific that at age five I'd have been listening too independently, other than songs from Sesame Street or Disney movies, I mostly remember lots of singing along to The Beatles and James Taylor in the car, and Spin Doctors and Madness while dancing around in the kitchen with mum. But The Sundays weren't a band my parents would have listened

too, so I only became aware of then ten years later, thanks to the tv show Buffy The Vampire Slayer.


Are we too far into the apocalypse (pandemic) to beep her?



In Buffy they used a cover of The Rolling Stone's iconic song, Wild Horses, which is beautiful. But this song, that I listened too over and over again, is rooted in my brain, is one I love and is one that just fills me with nostalgia when I hear it. It was also a small part of why, when I was a lot younger, I was drawn to this necklace by Nick Hubbard.


Nick Hubbard, a narrative jewellery who I have admired since the day I saw and was subsequently given this locket by my parents, sadly passed away in 2013, but the jeweller wasn't alone in creating these whimsical designs. As a team he worked with his wife Jean, releasing their first collections in the early nineties, each piece stamped with a little Brick (for Nick) and a Bean (for Jean), their hallmark. The company, under Hubbards' name has continued on since his death, his wife and daughters, Phillipa and Elizabeth, along with a team of jewellers, preserving his name and creative legacy by continuing to produce his designs. Each one handmade and imbued with joy.

This piece of jewellery, and the creativity and narrative that Nick Hubbard jewellery has, has always been an inspiration to me. It made me realise early on that lockets didn't have to just be stuffy hearts or ovals. They didn't need to be engraved with scrolls of flowers. The closures, which in this case is the little spike of top of the door, didn't have to be the traditional clasp, but could be something decorative and special. 

This necklace would probably been the more beautiful and designer led piece to post as the first entry into 2020's 12 Days, but when I saw that little enamel pin, it spoke to me and seemed the perfect fit. Partly for its representation for a nostalgic song and my necklace, but as an unwittingly perfect marker for a year that I'd rather forget. 

Plus, you know I can't resist an enamelled pin!


It's Christmas Day now. So, Merry Christmas! I can't promise I'll get these out when I should, but when have I ever. And whether you celebrate the day or not, even in a year where we're not all together, we're back in lockdown, and nothing seems quite right, I hope you have a good day. Eat, drink, hopefully get a gift, watch some telly and crash out without any fear of judgement. After this year, we all deserve it. 


Merry Christmas! Day two tomorrow...


Link || Candle of Her Brain || Etsy || Instagram || Twitter || Facebook || Pinterest
Link || 2020 Little Souvenir of a Terrible Year - Typeface Enamel Pin || Etsy
Link || Nick Hubbard || Website || Instagram || Facebook || Not On The High Street
Link || The Sundays || Wikipedia || YouTube || Spotify || Apple Music  
Link || Buffy The Vampire Slayer || IMDb || Wikipedia || Rotten Tomatoes

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Listening: Here's Where The Story Ends - The Sundays

Sunday, 31 December 2017

On the 5th day of Christmas...

... this blogger gave to thee...

... five gold rings...
... four living hinges...
... three books for reading...
... two felted tooties...
... and a day Binging with Babish.

This year, we’re going with the traditional five golds rings, but we’re using the term ring loosely. Rings, necklaces and bracelets are all easily identifiable as rings, they don’t have to be circular, they can be as angular as you like, but they fit over a finger, a wrist or around the neck, so for a post about five gold rings, they’re easily included. Brooches pass through fabric and lock to create a loop, so in my head, they count as rings, so they’re in. Earrings however, they pass through the body, but don’t need to necessarily lock, they’re not always hoops and sometimes they hang free enough to fall out… but they have the benefit of having ring in their name, so the whole jewellery box gets included and my life whilst picking for this post should get easier.

This post is never easy. There are two ways to easily look for images of gold jewellery, one is through Google and the other is through Pinterest, but if you search for gold rings on either platform the results are not that inspiring. I follow people on Pinterest, this helps, I follow people who like jewellery, people who are jewellers, but the algorithm’s look for gold rings, which you get, but they’re wedding rings and engagement rings. Rings – and I don’t want to sound snobbish – that you will find in any high street chain jewellers. These can be beautiful, don't get me wrong, but I’m spoiled when it comes to jewellery, I’ve read too many books, seen too many other artists work, but I like what I suppose you’d term art jewellery. 

In other words, I still think as a jeweller sometimes and I like looking at others jewellers work. Which this post is supposed to celebrate, and this year we’re celebrating rings, brooches, bracelets and necklaces – oh my. Maybe next year I’ll challenge myself to only finding mass produced jewellery, if I’m feeling brave. OR just rename this particular day as five gold things... that would certainly open things up.

But for this year at least, we're sticking with jewellery...

Priceless Bangle, 2004 (detail) by Christel Van Der Laan
(Gold plated sterling silver, polypropylene swing tags)

I freaking love this. I have loved this for years now because it's not only beautiful, but it's simple and makes a throw away item incredibly elegant. Christel Van Der Laan's Priceless Bangle is made of a gold plated silver bangle threaded with hundreds of plastic swing tags that time after time we snap, cut and most often fail to effectively remove from new clothes. They're irritants that we throw in the bin and instantly forget about, and if you didn't know what this was made from, I think you'd be hard pressed to guess.

This just makes me happy. It's completely and utterly impracticable, but I like that it's sculptural. I would have this on my shelf just to look at. 
Bow Sweater Holder (Fabricated Memory: Jewelry Box, 1980) by Amy Tavern  
Sterling, 18K Vermeil

Amy Tavern is a jeweller whose blog I have been following for a very long time and watching her designs evolve through different projects. One thing that tends to go throughout each of her projects is her "bows", which I've always through looks like sycamore seedlings or moths. In this particular brooch the design is harking back to mid-twentieth century sweater/jumper clips, which allowed ladies to keep cardigans securely on their shoulders whether they were wearing it properly or simply had it loose over their shoulders. They've made made somewhat of a resurgence as shirt collar clips in more recent years and it's an interesting historical concept for a jeweller to revisit, as it allows you to incorporate both a brooch and a necklace into one design. Something Tavern has done rather beautifully here.

Something to look at, along with Chatelaines, which as a brooch, charm and ladies Swiss army knife combo has always intrigued me.

Blue Ombre Coral Ring, 2017 by Aineguil Telli
(Silver, brass, resin, pigments, glass)

Now, just as I've sat back down from making coffee to write this, my head has immediately started screaming: under the sea, under the sea, darling it's better, down where it's wetter, take it from me. What have they got a lot of sand, we've got a hot crustacean band... my brain is apparently trying to make me watch The Little Mermaid again, which is fine

Looking at Aineguil Telli's very tactile work is what's set that off, her Undersurface Collection is inspired by the creatures of the ocean, specifically coral. Cast in silver and brass, Telli's rings, brooches, neckpieces and earrings are encrusted with coloured resin which has been embedded with tiny glass beads to evoke the colour, form and texture of coral. This makes them sparkle in the light as if covered in tiny bubbles as if still under the water. Plus, in this particular ring there is that stunning combination of gold and vivid ultramarine blue, which is always a winner.

Oak Leaf Posy Ring, 2012 by Laura Baxter
(Silver, 18ct Gold, Brass)

Laura Baxter works on a tiny scale. Tiny flowers, tiny leaves, tiny seeds, tiny clouds and tiny birds in the limited pallet of gold, silver and black oxidised silver, which she makes into charms, sprays and simplified little vignettes. It's no small feat working on such a small scale in metal and finishing a piece neatly. The smaller the piece you're working on is, the harder it is to hold and the easier it is to damage. It makes it harder to file, sand and smooth edges effectively so takes times and patience, but Baxter has that down pat. Her designs are simple, but there's a lot of work there and I really appreciate that. 

Long Rose Bud Cluster Necklace by Donna Barry
(Rose gold, freshwater pearl and sterling silver - matt finish)

Before I started jewellery, after my first year of uni was finished, we were told by our soon to be tutor that we should try to go to a jewellery show. The only one I could get to,o which didn't involve going to London... which ironically now I'm think about it I was in at the beginning of that summer holiday with the university... was Dazzle, in Edinburgh during the Fringe Festival. This was the first time I'd been to any jewellery specific exhibition and having been hooked as soon as I was introduced to the department, I was almost giddy looking around. I guess at that point in time I was excited about the future in the field, and from that show I was introduced to designers that I still like to this day, and Donna Barry was one of them. 

There is something about jewellery which is made up of clusters of different stones, metal components or granulation's that I just find really attractive. They're natural, even when the 'flowers', like Barry and Baxter's are actually very simplistic, or angular like Amy Tavern's, they have an organic and tactile appeal in not only their appearance, but how they move and articulate differently to links and chain alone.

It's something I always feel I failed at in jewellery. I made chess sets, there's nothing more static and less organic looking than that, but it's something I always wanted to be able to achieve. Organic jewellery, without it being instantly recognisable as pretty flowers and leaves. So I applaud anyone who achieves it!

And, seeing this post is now two days late and has stopped me posting the 6th day on time, I need to explain… I hate Photoshop. I also don’t like myself much having not saved my images to file as I went along, and then had to watch as an error message appeared and it crashed out on me. Twice. Once the night it should have been posted and once yesterday evening as I have been re-editing everything. You'd think I'd have learnt, but as this is the third time I'm editing pictures for this post, I may genuinely have a cry and sack it in and go to bed. The ancient edition of Photoshop 7.0 I use, you may have gathered by now, doesn’t auto save. Photoshop is the reason this is late.

Photoshop will now have a short sharp shock as 2018 will be the year I try out Krita, an alternative digital painting program.

Thankfully day six is all finished, saved and just needs uploaded, so perhaps I’ll get back on track for day seven!


Merry Christmas! Part six today/tomorrow…


Link || Amy Tavern
Link || Aineguil Telli
Link || Laura Baxter
Link || Donna Barry
Link || Long Rose Bud Cluster Necklace by Donna Barry via The Biscuit Factory


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Listening: Here Comes Santa Claus (as Bon Iver) - Adam Horne

Friday, 4 January 2013

On the 11th Day of Christmas...

...this blog gave to thee...

...eleven bits of jewellery...
...ten striking structures...
...eight resolutions ladies...
...seven shoes to choose from...
...six party dresses...
...five gold rings!..
...four little shorts...
...three tasty treats...
...two fancy stamps...
...and a Cathedral made of seeds.

It's the eleventh day, so obviously that means more jewellery! Or maybe that just in my strange little head.

Anyway, here are eleven pieces of jewellery which I love for their simplicity, their form, texture, use of materials and of colour.

1. Yu-Chun Chen -  2008. Brooch. Steel, lacquer, jade, silver and slate | Artist | Link
2. Helena Lindholm | Artist | Link
3. Gesine Hackenberg | Artist | Link
4. Liisa Hashimoto - "Leaf Garden Necklace" | Artist | Link
5. Amy Tavern - "Envelope Brooch" | Artist | Link
6. Montse Basora | Artist | Link
7. Rowena Murray | Artist | Link
8. Ting-Chum Ara Kuo | Artist | Link
9. Erich Zimmermann | Artist | Link
10. Beth Legg - Stone Brooches | Artist | Link
11. Renzo Pasqual - "Spring" (2010). Brooch. Gold Glass and Ceramic | Link

Here's hoping 2013 will lead me to blog more jewellery and make use of that blog domain I set aside!

Merry Christmas & Happy New Year. Part twelve tomorrow...
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Listening: Glittering Clouds (Locusts) - Imogen Heap

Sunday, 10 October 2010

Tied in a Bow

Beautiful knitted bows by Emmadime...I'm smittened again. And I shall certainly be bowing my scarf when the chilly weather takes hold.

Emma Robertson of Emmadime also has a really nice blog, full of lovely and beautiful thing to peruse.

Link - Emmadime
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Listening: Greg Laswell- Girls Just Wanna Have Fun (Demo)

Wednesday, 3 February 2010

Sublime Mundanity

"REMEMBER me when I am gone away,
Gone far away into the silent land;
When you can no more hold me by the hand,
Nor I half turn to go, yet turning stay.
Remember me when no more day by day."
-Remember, Christina Rossetti [Excerpt]

In Latin Memento Mori translates as "Remember you must die", translated using English it means "remembrance of death". To the Victorians this meant that as a means of remembering the people they loved who had passed on, they collected ringlets of hair and captured them within pieces of jewellery. They would be wound and shaped into intricate floral plumes.

The ultra modern equivalent being to compress your loved ones ashes into a small number of diamonds. A truly horrific thought, which was only worsened for me when I saw an interview with a woman who had created diamonds from her cats, each of which she had had set into a series of rings. For future reference, I have no desire to be made into a diamond and no ring shall be waiting for me to be set into, preferably I'd like a little bit of pink glitter in the old ashes, but that's by the by.

Morbidity aside, I do love the sentimentality that we place onto jewellery. We have piece from loved ones, pieces which belonged to other members of our family and we use jewellery to celebrate the momentous moments in our lives. But that's why I love Melanie Bilenker nod to Memento Mori.

Bilenker uses strands of her own hair set onto reclaimed ivory, behind resin, to create elegant and simultaneously complex and simplistic line drawings of scenes which seem commonplace. Someone lying in the bath, putting up their hair or making a cup of tea; mundane parts of everyday life which we take for granted. But aren't those the things you miss?

"The Victorians kept lockets of hair and miniature portraits painted with ground hair and pigment to secure the memory of a lost love. In much the same way, I secure my memories through photographic images rendered in lines of my own hair, the physical remnants. I do not reproduce events, but quiet minutes, the mundane, the domestic, the ordinary moments." - Melanie Bilenker

Bilenker's jewellery is one of my favourite examples of not only a jeweller creating a contemporary twist on a traditional type of jewellery, but also of it being used to capture memory in an unusual way. Especially as this is without feeling the need incorporate high-tech components or resort to the traditional locket form.

Plus, I don't think I could draw a person that accurately these days with a pencil let alone bits of my barnet!
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