Showing posts with label silver. Show all posts
Showing posts with label silver. Show all posts

Monday, 10 January 2022

On the 5th Day of Christmas...

... this blogger gave to thee...
... five gold things!..
... four FX plushies...
... three midnight magnets...
... two tricks and treats...
....a tale of lovely lore.


My grandpa always had a saying, "if it ain't bugs, the lum reeks", meaning if it's not one thing, it's something else. He said this to me a million times in my life, and it's one of those grandpa-isms that will always live in my brain, rent free and make me smile, because it's true.

And so, with that weird little saying, I'm giving you for Day 5, five jewellers and piece of jewellery that look like insects but aren't. Because who doesn't love an odd little segue into jewellery that's one thing, but looks like another.   



The first insect inspired piece of jewellery is this beautiful hand textured bumblebee necklace by the jewellery designer and maker, Alex Monroe.

The design is synonymous with the English designer, and has been seen on the necks of more than a couple of celebrities, and I've been in love with it for a few years. There's something beautifully accurate and simple about the design that has rightfully become an icon to the brand. 

"The bee represents a whole array of thoughts and emotions for me; 
Feminine strength, beauty, vulnerability, the Renaissance idea of the 
inevitable pain of love, community. There is a nostalgic Britishness to 
the bee, Beatrix Potter and the cottage country garden. And then of 
course there is the environmental role of bees, pollinating the world’s 
food while under constant threat from pollution. There is so much 
symbolism in my bee… I can see most of what I was after, and I hope 
people who buy or wear one might see just a little bit of my inspiration
in their bee, and of course, they will have their own ideas about what 
their bee means to them too!" (Alex Monroe)


With a career that spans thirty years, Monroe's nature inspired work is full of very nostalgic British iconography. Created by him and his team in his Bermondsey, London workshop, the designs start as sketches, then are sculpted in silver before being moulded, cast in precious metals, soldered together, plated, polished, stones set and finished. But it's the hand sculpting straight into the metal that gives his designs their signature textural appeal.


There are lots of other designs, including more entomological one such as the limited edition Dor Beetle Necklace set with Demantoid Garnets (the rarest of garnets because their green) from 2017, however the bumble bee stands out as something special.

Monroe has found his niche and has cultivated it, and has created a design that is popular because it's not only beautiful, but beautifully made. It's something to be admired because finding your niche is not always easy, and seeing I have his memoir, Two Turtle Doves, sitting next to my bed to read like a true jewellery geek, I should probably finally read it and see how it's done.


Link || Two Turtle Doves: A Memoir of Making Things by Alex Monroe || Website || Amazon || Waterstones || Blackwells || Abe Books || Bloomsbury || Good Reads





Now design number two gives me a very instinctive, nostalgic memory, which shouldn't be taken as an insult, because it's purely visceral. These insect rings kind of reminds me of those gold gem rings that you used to get in crackers and gumballs machines when you were a kid. In the best way possible seeing I loved and coveted these things as a child. It's a tiny curio shaped in a form that many people find to be frightening or disgusting, and turning it into something beautiful, a teeny bit creepy and fascinating.

If I'd gotten something like this out of a gumball machine I'd probably still have and wear it, because this ring is elegant, modern and is a really interesting take on the tradition of insect based jewellery seen all over the world. In particular that of the Egyptian scarab ring, which featured carved or cast scarab beetles set like a stone.

Designed by siblings Paola and Humbert Sasplugas, founders of Barcelona based PDPAOLA, the Courage Beetle Ring from the House of Beetles Collection, is part of the pairs attempt to capture this historical importance and meaning that insects have had ceremonially, spiritually and decoratively for centuries, but give it their own modern twist. 

"Beetles have played different roles in human history. Thanks to their
beauty, complexity and presence in the natural world, this insect has
been the protagonist in folklore, art, and literature (from West to East).
Beetles represent a real connection between us."

The ring is made of 18k gold plated sterling silver, and studded with labradorite (personally one of favourite gemstones), apple green, champagne and violet zirconia to mimic the body and wing casing of their representation of a stag beetle, and I'd wear this in a heartbeat because it's that weird mixture of creepy and cute that I love. It's suitably anatomical that you know what it is, but not as though you're wearing a real bug on your hand, plus I really appreciate the subtle use of gemstones in these soft, muted colours rather than going for true jewel tones, because that, I think, would cheapen the design into the realms of costume jewellery and take it away from the "rebellious elegance with the right amount of effortless cool" that the brand strives for.

If I wore rings, I would definitely wear this and be completely obsessed by the little critter.


Link || PDPAOLA || Website || Instagram || Twitter || Facebook || TikTok || Pinterest || Spotify || YouTube
Link || Jewelry Cool-to-know Curiosities and Facts via PDPAOLA: The Mag (Blog)
Link || Beetles: Art and Culture Worldwide via PDPAOLA: The Mag (Blog)
Link || Scarab Ring || Wikipedia





Zoe Arnold is a jewellery designer and maker who I have admired for a long time, and it's not only because of her skill and technique she uses in her work, but the fact that they're objects of curiosity first. They're treasures, with their own little stories.


Bees are a frequent feature in Arnolds work, these beautiful fat bottomed insects are tiny little metal sculptures in their own right, and look like they're taking the place where a real bee should be preserved. However a huge part of her work in general, is the narrative she creates, many of her pieces of jewellery being based on her own poetry and stories, which is often her starting point, allowing her to add depth to her work and not leave it at the purely aesthetic. 

Arnold is also a collector, scouring flea markets and antique fairs to find oddities, as well as broken bits and pieces which to anyone else would be useless, but to her, are objects to be treasured and are full of potential use in her art. Most of her work is also housed in oak boxes or frames, different elements gathered together to create a piece of jewellery, and then allowed to have a home when not worn, to be displayed and treasured as not just an adornment, but art itself.

This unique, thoughtful approach to design is something I really appreciate, and why I always liked jewellery such as Arnold and Wendy Ramshaw, who build this secondary means of display directly into their artwork. I've never really liked the fact that when a piece of jewellery wasn't being worn, it was something that would put into a box, placed in a drawer and hidden away to keep it safe. Art is meant to be viewed, and handmade jewellery, which a metalsmith has toiled over, is art. It's their art and it shouldn't be hidden.

And I know I'm guilty of it too. But I think it's something more jewellers should think about, because no one wants their art relegated to a drawer under some socks.


Link || Zoe Arnold || Website || Instagram || Facebook || Pinterest
Link || Featured Artist: Zoe Arnold by Kate Tweddle via tweddlejewellery



(Brooch: Insects_ mantis || 2014 || Frog’s skin, leather, sterling silver, polymer clay, beads || 5.5 x 15 x 7 cm || Photo by: Kwangchoon Park)

I'm going to go ham with this next designers work because I think they're really cool pieces of design and I couldn't pick just one when I find them all so interesting.

Created by Seoul based jeweller, Yojae Lee, her work is made up of large scale, mixed media representations of insects that for many people have incredibly negative connotations, but are often incredibly beautiful when looked at in detail. 

(Brooch: Insects_ beetle || 2014 || Frog’s skin, leather, sterling silver, polymer clay || 9 x 15 x 7.4 cm || Photo by: Kwangchoon Park)

(Brooch: Insects_ spider || 2014 || Frog’s skin, crab’s shell, leather, sterling silver, polymer clay || 8 x 14 x 3 cm || Photo by: Kwangchoon Park)

"In a circumstance where discomfort and negativity are experienced, 
we tend to withdraw our gaze. To conceal repulsion itself, we embrace 
it with beauty. Although an insect exists as a familiar being, we often 
forget about this. Its value is only acknowledged when drawn with a 
flower or ornamented with jewelry. [...]  My work begins from a 
straightforward view. Each and every part of its body consisting of six
legs, two feelers and skin… My desire to express it the way it 
synchronizes and integrates with my imagination." 
(Extract from Yojae Lee Artist Statement, Klimt02)

(Brooch: Spider || 2017 || Frog skin, leather, sterling silver, polymer clay, oxidized, gold plated || 25.5 x 33 x 4 cm || Photo by: Kwangchoon Park)

I know for a fact that the Spider brooch will have caused discomfort for some, but it also highlights Lee's remarkable use of different media to create a cohesive design. Made up of materials including frog skin; leather; crab and other shells; rabbit fur; polymer clay as well as beads, semi-precious stones such as jade and sterling silver, each material brings it's own unique texture, colour or shape to emulate insects we're all familiar with on a grand scale.

Again, this isn't just about a little bug brooch you hide away in the sock drawer, but statement pieces which are meant to give a visceral, potential uncomfortable reaction and they're meant to be displayed and celebrated.

I think these are incredible and if I'm honest I didn't realise half of the materials Lee was using until I saw the materials listed and could suddenly see the creativity. These are wonderful, and if you want to see more of her work head to her Instagram or Klimt02 to see more. 


Link || Yojae Lee || Instagram || Klimt02 || Korean Contemporary Jewelry





Finally is the work of Jongseok Lim, another Seoul based jeweller, whose work I initially mistook for Yojae Lee's, and at first glance it could be justified, until you see the incredible manner in which he creates them. These are all made using a technique that has been being used in jewellery since 3,000 BC, filigree. 



Filigree is a jewellery technique where fine gold or silver wires are twisted togethers into threads, formed and then soldered together or to the surface of your object in intricate patterns to form an almost lace like piece of metalwork. It is an artform which has fallen out of fashion, but some jewellers still make incredibly beautiful and modern designs with it, and in Lim's case he's using the traditional technique to hand fabricate the bodies and limbs of his insects.


These insects don't look like filigree as many people would know it, but the twisted threads of silver brings an incredible amount of texture and dimension to these unique pieces of jewellery.

I think these are unbelievable.

Link || Jewelry Brooch: Jong Seok Lim via Designer Party
Link || Filigree || Wikipedia



Insect based jewellery isn't a new thing, it's been a motif that's appeared in fashion for thousands of years, and over the last few has had yet another resurgence with iconic fashion brands such as Dior and Alexander McQueen creating garments crawling with embroidered and beaded bugs. Though did it ever really go away? Butterflies are insects and are an incredibly common and accepted motif in fashion and jewellery, but they're pretty, not dirty or scary.

Insects are amazing, if you can get past the creepy crawly fear and actually look at them, lots of them are little jewel-like creatures that are incredibly interesting, inspiring and beautiful, for ugly bugs. 


Happy New Year! Part six is definitely dressed and ready and out the door on the way to the party, it's definitely not still getting ready...

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Listening: Spiderwebs - No Doubt

Friday, 25 December 2020

On the 1st Day of Christmas...

... I give to you...
... a little souvenir.


"It's that little souvenir 
Of a terrible year
Which makes my eyes feel sore [...]"


I'm going to start off the 12 Days in an understated way, with a simple and pretty appropriate piece of jewellery. 


This enamel pin by Candles of Her Brain, says it all for me, because let's all agree 2020 has been crap for everyone, and a complete and utter shit show others, in one way or another. So this is pretty much all I'd like to take away as a memento.

The pin - though the designer doesn't specify it - is a lyric from the song Here's Where The Story Ends by The Sundays, an English alternative rock band whose debut album, Reading, Writing and Arithmetic, on which this song appears, was released in 1990, so is now thirty years old! 


I was probably still listening to my parents music in 1990, I can't remember anything specific that at age five I'd have been listening too independently, other than songs from Sesame Street or Disney movies, I mostly remember lots of singing along to The Beatles and James Taylor in the car, and Spin Doctors and Madness while dancing around in the kitchen with mum. But The Sundays weren't a band my parents would have listened

too, so I only became aware of then ten years later, thanks to the tv show Buffy The Vampire Slayer.


Are we too far into the apocalypse (pandemic) to beep her?



In Buffy they used a cover of The Rolling Stone's iconic song, Wild Horses, which is beautiful. But this song, that I listened too over and over again, is rooted in my brain, is one I love and is one that just fills me with nostalgia when I hear it. It was also a small part of why, when I was a lot younger, I was drawn to this necklace by Nick Hubbard.


Nick Hubbard, a narrative jewellery who I have admired since the day I saw and was subsequently given this locket by my parents, sadly passed away in 2013, but the jeweller wasn't alone in creating these whimsical designs. As a team he worked with his wife Jean, releasing their first collections in the early nineties, each piece stamped with a little Brick (for Nick) and a Bean (for Jean), their hallmark. The company, under Hubbards' name has continued on since his death, his wife and daughters, Phillipa and Elizabeth, along with a team of jewellers, preserving his name and creative legacy by continuing to produce his designs. Each one handmade and imbued with joy.

This piece of jewellery, and the creativity and narrative that Nick Hubbard jewellery has, has always been an inspiration to me. It made me realise early on that lockets didn't have to just be stuffy hearts or ovals. They didn't need to be engraved with scrolls of flowers. The closures, which in this case is the little spike of top of the door, didn't have to be the traditional clasp, but could be something decorative and special. 

This necklace would probably been the more beautiful and designer led piece to post as the first entry into 2020's 12 Days, but when I saw that little enamel pin, it spoke to me and seemed the perfect fit. Partly for its representation for a nostalgic song and my necklace, but as an unwittingly perfect marker for a year that I'd rather forget. 

Plus, you know I can't resist an enamelled pin!


It's Christmas Day now. So, Merry Christmas! I can't promise I'll get these out when I should, but when have I ever. And whether you celebrate the day or not, even in a year where we're not all together, we're back in lockdown, and nothing seems quite right, I hope you have a good day. Eat, drink, hopefully get a gift, watch some telly and crash out without any fear of judgement. After this year, we all deserve it. 


Merry Christmas! Day two tomorrow...


Link || Candle of Her Brain || Etsy || Instagram || Twitter || Facebook || Pinterest
Link || 2020 Little Souvenir of a Terrible Year - Typeface Enamel Pin || Etsy
Link || Nick Hubbard || Website || Instagram || Facebook || Not On The High Street
Link || The Sundays || Wikipedia || YouTube || Spotify || Apple Music  
Link || Buffy The Vampire Slayer || IMDb || Wikipedia || Rotten Tomatoes

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Listening: Here's Where The Story Ends - The Sundays

Friday, 17 January 2020

On the 6th Day of Christmas...

... this blogger gave to thee...
... six party dresses...
... five gold rings!..
... four favoured films...
... three rosy bubbles...
... two iterations...
... and a tale for tugging heart strings.


We're going to suspend disbelief a little for this posting, because it was supposed to be uploaded before New Years and, well, it's most definitely not any more. But it's still an excuse to spend a little too long looking at dresses and imagining when on earth someone would wear that particular outfit.

I'm not someone who spends a lot of time clothes shopping, or looking for fancy things to wear. I wear pretty much the same things winter, spring, summer and autumn and my biggest ambition clothes wise for 2020 is to clone my favourite coat. Which means making a pattern and sewing a new one myself because I've never found one I like as much, and I'm honestly scared that I'm going to wear it to death.

Wearing clothes to death being my M.O., but that's thrifty and environmentally friendly, right?

It does however mean if I ever need to go to an actual party or event, I would have to go shopping and start the soul crushing search for an outfit that I feel happy in and doesn't break the bank. But this post isn't about my crippling anxiety and lack of confidence when it comes to how I look in clothes, this is fantasy shopping for party time, and this year I'm going for six particular scenarios...

1) Staying in on New Years Eve/Day with family
2) Staying in on New Years Eve/Day with a group of friends at their home
3) Going to a friends New Years Eve party
4) Going to a public/street party
5) Going on somewhere where only a Little Black Dress will do
6) Going to a big fancy shindig

So, in the words of Corrine Leigh of Threadbangers:


Image result for corinne leigh let's get started shall we gif




Let's face it, New Years Eve at home should be all about pyjamas, duvets, a glass of your favourite tipple and if you're very lucky, a sausage roll or two because it's New Years and it's still a party. But seeing this is designated pyjama time, let's call this a New Years Day outfit, when you've got family coming over for the day, and, seeing it's a new year and while you're not quite a new you yet, you're still going to kick it off well, make an effort, dress up and feel well put together, even a tad glam.

For me, that means wearing my jeans with a sparkly jumper, as much glittery makeup as I can manage to put on my eyes without them watering, whilst also still letting myself sleep in and have time to get ready before the family arrive. Though, while I don't tend to wear the sparkly jumpers every day, year round, you'll have to fight me and claw the glittering makeup out of my cold dead hands before I refrain to wearing almost every day.

This year, if I'd been confident, I'd have wanted to wear this outfit from Joanie Clothing, comprising of the Sylvie Silver Linings Jumper and Hannah Sequin Skirt, which while it's not a dress, is still what I'd choose. I've been pretty much in love with this outfit since I saw it on the website, I've wanted a sequin pencil skirt in my life for as long as I can remember, and this is exactly the kind of thing I would wear for special occasions.

Fuck that. I'd wear it daily if I was brave and actually wore skirts anymore. I love the casual sweatshirt and sequin skirt aesthetic.


Link || Sylvie Silver Lining's Slogan Jumper from Joanie Clothing
Link || Hannah Sequin Pencil Skirt in Silver from Joanie Clothing




Outfit two is for when you're going to be staying in with friends and want to dress up, but don't want to go full sequin fantasy because you're still just staying in an lounging on the sofa having a drink and chattering. Instead leopard print devoré is of course the ideal option!

Normally on this list I pick way too many sequined or beaded or glitzy dresses, and there will be more of those, don't worry. However, I saw this Marie Devoré Leopard Dress from Boden on the run up to Christmas and fell in love. It's one of those dresses that's casual, but fancy, it's not glitzy but the velvet has this expensive lush sheen and the colour, while it doesn't necessarily scream Christmas, again because of the sheen and the fabric is warm and comforting in the winter. Plus there's nothing wrong with a bit of leopard print.

A lot of my reasoning for picking this dress - other than gut reaction - is about the fabric. Devoré or burnout, is a fabric patterning technique in which a mixed fibre fabric, most commonly velvet which contains both natural and synthetic fibres, has patterns either stencilled or painted on its surface with an etching solution. The solution is allowed to sit and the chemicals dissolve the natural fibres they are in contact with, leaving a raised pattern in the untouched material upon a sheer or lightweight synthetic woven fabric below.

The technique was first made popular in the 19th Century, and the height of its popularity was around the 1920's. However it had a revival during the 80's and 90's and while I don't always love the patterns this kind of fabric comes in, I remember so much of this being around when I was a kid, I've always had a soft spot (no pun intended) for the texture and that lovely sheen.

This is kind of a grown up dress in a lot of ways, but I think if I was going to be having a semi casual evening with friends, but because it's New Years I wanted to be a dressier, but not uncomfortable, this is the kind of dress I'd go for. It's dressy, but not too dressy, and I'd still feel pretty really pretty.


Link || Marie Devoré Dress in Copper Red, Chic Leopard from Boden




Dress three is for when you've got a proper party to go too. One where there'll be lots of people, maybe you're at someones house or somewhere else, but it's a legitimate party and somewhere you want to look every bit the sequin fantasy, but in a cute unstructured way. We're still going for something that doesn't feel too dressy, but feels more like a proper party dress.

To me, of course, party dress means sequins and this rose gold one from ASOS by Forever U is kind of perfect. Actually it's just kind of perfect full stop. This was the first dress that made the list. I had it saved on Pinterest from basically day one of my looking at dresses (back in November!) and I've been pathetically in love with it from the moment I saw it.

If I was going to a proper New Years/Christmas/any kind of party, I'd want to be this girl. This is my sequin fantasy dress this year and I would kill to be able to wear something like this, once, ever!


Link || Forever U Cami Strap Sequin Dress with Bow Detail in Rose Gold via ASOS




Outfit four needs a coat. Maybe a teddy bear or bouclé coat? But something thick and warm, to keep you cosy while you're heading to the streets for Hogmanay, watching the fireworks and bar hopping.

Okay, a sheer dress is probably not ideal for being outside, you'd most likely have frozen your bits off if you'd warn this dress out most years in Scotland, but we have had an unseasonable warm winter so far. (I miss cold, frost and snow!)

Even the fact that this doesn't include any sparkles hasn't put me off thinking that this is the definition of a party dress. If the last dress for a full blown sequin fantasy, then this is a whimsical dark fairy dress fantasy and that's an aesthetic I can fully support.

Normally, when I research this post, despite its popularity, I have shops that I go too ranging from high street to high end, but I wouldn't really look on site like Shein because from what I've seen, while they're relatively reasonably priced, there's a high chance that the image of what you've ordered isn't actually an image of what you're ordering. Maybe I'm being a snob, but out of curiosity I had a look on the site and kept seeing - and pinning - listing for this one dress.

Now, I can't find any particular designer or dress that this exact design is inspired by, but to me this looks like a dupe for the skirts and dresses by Lirika Matoshi that I had as my final choice for 2018's Day 6.

I love those skirts and dresses, they're absolute whimsical loveliness, but at £150 up, I'd probably be better trying to make my own, or buying this dress from Shein (any many, many other websites as it turns out) because it's a pretty nice alternative, and if they "customer" images are anything to go by, it's maybe worth a punt for under £30.


Link || Star Flock Mesh Overlay Strapless Bustier Dress via Shein
Link || Lirika Matoshi || Website || Etsy || Instagram || Facebook




Party scenario five is the one where only a Little Black Dress (LBD) will do. When I was thinking about reasons to get dressed up at the holidays, one option would be if you were lucky enough to have a date. That could be with your significant other, someone you're dating, someone you'd like to date... any of the above you're lucky and I hate you... but a LBD is sometimes just the right kind of dress, period.

It also wouldn't be one of my lists if I didn't include a ludicrously expensive Needle & Thread dress, because I love them! They make me happy and this one, while maybe not the most exciting, is the dress that when I looked at in my short list, I kept coming back too looking for excuses to include it, and specifically thinking that that's a date dress. If wishing made it so.

Obviously, it's a fucking expensive date dress, but it has that gorgeous silhouette and all that pretty floral beading and I kept trying to knock it off the list, then kept putting it back on. It earned its place and it's the prettiest LBD at the ball. Now I'd just need to rob a back to afford it, get a full body transplant to wear it and find some poor sucker to go on a date with. Again, wishful thinking.


Link || Needle & Thread Snowflake Prom Dress in Ballet Black from Needle & Thread




Last dress is for your full blown formal New Years Eve party. One where you need to make an impression, show that you can actually be an adult and still enjoy a sequin fantasy moment without being either grossly under dressed or go too far into princess dress territory.

Or bridesmaid's territory, which seems to be who the brand Maya Deluxe, who created this dress, advertise their products towards. But who cares? If you find something you like, whether it's labelled Bridal, Plus, Maternity, Tall, Mens, Womens or whatever, that doesn't mean you can't wear it and look phenomenal. And anyone who says you shouldn't wear something, or shames you for it can get knotted. Clothes are clothes, as long as you're not being a prick to other people, who cares what you wear. You do you.


Mini rant over, back to this gorgeous, heavily embellished bandeau dress which is the kind of dress I think of in films, when the shy plain girl walks into the fancy party in a big, oversized wool coat. She looks around nervously, all out of place, then take off her coat and she has her My Fair Lady, Pretty Woman, She's All That, Never Been Kissed, Cinderella reveal moment and is now the prettiest girl at the party...

... it always helps that in those films the "plain" girl is clearly already stunning. Which always makes the ugly ducking transformation easier. But hell, let's keep that lovely (damaging) stereotype alive that "she'll only ever be happy and find a man and be everything she can be unless we make her beautiful". Because you're only allowed to be happy and successful if you're gorgeous, right?

My point is, to me this is a wow dress, and if I was going to a fancy party and didn't want to go for a full on princess dress, I'd be happy with something like this. I love the beading and sequin patterns, particularly how it's outlining the bustier and giving the dress a more defined waist, while having them concentrating there also helping to soften the deep navy blue material with the silver and taking a standard looking blue dress to something special. This is just beautiful to me.


Link || Maya Deluxe Bandeau Heavily Embellished Dress with Fishtail Train via Zalando


It would be nice once to (a) have a reason to get dressed up and (b) have a figure that would allow me to feel comfortable if that reason ever presented itself.

Let's face facts though, I spent New Years Eve at home with my family in leggings, a baggy jumper and thermal socks. Then I spent New Years Day with my family, but in jeans and a sparkly jumper, and thermal socks. Dressing up being way too much effort for just spending time with my family.

(Sorry guys, I love you but not that much)

This year I almost made more of an effort. I actually bought a skirt to wear for Christmas. It's hanging in my room, gunmetal pleats smothered in silver glitter... but I was too chicken to wear it. In fact, I actually ended up buying a second skirt as well, a grey knitted one that will need industrial shape wear for me to wear out, but I really loved and seeing both were on sale, I'd have regretted not buying them.

The important thing to know is my best clothing buy of the season was the fleece lined socks I bought from the supermarket. They're so soft and warm! And to round the year out, I also taught myself how to knit socks in 2019, which has nothing to do with anything, but was something I wanted to try and seeing I didn't do a sock post like last year, this is the logical place to mention it. So maybe next year I'll still spend New Years in pyjamas, but I'll be able to wear them with homemade socks.

Image result for socks gif


Merry belated Christmas and New Year! Part seven as soon as I find some ruby slippers and click my heels together...

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Listening: When The Party's Over - Billie Eilish

Sunday, 12 January 2020

On the 5th Day of Christmas...

... this blogger gave to thee...
... five gold rings!..
... four favoured films...
... three rosy bubbles...
... two iterations...
... and a tale for tugging heart strings.


Should I be changing the titles of the series to just "on the  day..." given I've been so slow in getting them up and it's over a week past the end of the festive season? Or is that giving too many Ursula vibes? 


Just a thought.

Day 5 and we're onto jewellery, which apparently involved me getting on the struggle bus and staying on it for way too long. Or in other words, I find Day 5 a hard one, not just this year, but every year.

I'm obviously not an active jeweller anymore, and part of my not making and not being able to design things to make, is that I don't really look at jewellery on Pinterest, or blogs as often as I used too. This means that when it comes to Christmas and this particular post, I don't have a backlog of pins to search through, or websites I naturally gravitate towards to find cool or interesting jewellery to pass on.

"Pass the parcel. That's sometimes all you can do. 
Take it, feel it, and pass it on. Not for me, not for you, 
but for someone, somewhere, one day. Pass it on, boys. 
That's the game I want you to learn. Pass it on."
(History Boys, 2006, Alan Bennett )

The only point in writing these posts is to pass on information. The only reason to write a blog is to pass on information, opinion and hopefully enthusiasm for something you've discovered and want to share and potentially start a conversation about.

With jewellery I've been out of the conversational loop for longer than I care to admit.

It didn't help that my first attempt at this post ran into some obstacles and I had to start the whole process over.

But, when I was looking at my Pinterest board dedicated to this particular post, I finally noticed a little group of gold rings that just seemed to hang together and make sense. So here they are. Five gold rings from five jewellers who are mostly new to me...


(Set of Stacking Rings, 18ct yellow and red gold.)


There are three things I instantly love about this set of rings by Louise O'Neill, the first being that they're stackable. Ever since I was little, I've loved stacking, interlocking rings, something that I went into a lot more detail about on last years Day 5, when I waxed lyrical about my love for jeweller Wendy Ramshaw, and is something I'm always instantly drawn too when it comes to rings. 

Secondly is the colour. The ring is made of a combination of 18ct yellow and red gold, giving it a really subtle colour difference, which I think is just lovely, especially when it's in a matte finish as these are. I love a well done matte finish to a piece of jewellery, when you can see the delicate swirls from using sand paper or scotch brite pads... it's almost like the metal's covered in the beginnings of frost ferns. 

And thirdly, I really like the shapes and how simple they are. These are the types of shapes I always used gravitate towards making, even when in my head I wanted to be the person creating organic, naturalistic looking jewellery as with some of the others on this list. 

This is a chunky looking ring for sure, but there's something soft about it which I find really attractive and after pinning it to my Day 5 Pinterest board, I kept pausing at it and seeing things collect round about.  


Link || Louise O'Neill || Website || Instagram || Facebook 


(Gold, Blue & Violet  Ring, Brass plated with 16k gold matte finish, hand painted with special effects paint and pooled with resin)

Sometimes when I'm making up theses posts, I have way too many options, but no obvious way of linking them together and having it make sense. Obviously sometimes there is a theme, they all have a similar colour or technique in common, sometimes it's just the images/objects/themes organically coming together and somehow matching up until I've found a little group that makes sense.

This ring by Olya oBo, of oBo Creations on Etsy, was sitting close by to the Louise O'Neill stacked rings, and the soft matte gold, drew my eye from one to the other. I honestly do have a real attraction to matte finishes.

However with oBo's rings, the puddles of violet and blue within the rock pool like wells of the ring, which the listing says is the result of a a special effects paint sealed with resin to give it a three dimensional surface, was also of interest. The busy body creative part of my head is trying to work out what kind of paints would create those pearlescent bubble like cells, pushing the mica in the paint to create patterns. Maybe it's metallic alcohol inks or something like Daler Rowney's FW Pearlescent Ink, which, though they're acrylic, from memory had similar qualities. Even nail polish might give this effect.

But it's a mystery in the end. A pretty mystery.


Link || Olya oBo || Etsy || Instagram || Facebook 



(Ocean Treasure Ring Stack, Lost Wax Casting in 9ct Gold, with sapphire & amethysts)

Guess the link here? Yep, purple, blue and rock pools, original right? Ground breaking thinking there on my part!

The colour is the reason these lined up in my brain, but I love these organic, encrusted rings that look like they've grown out of the metal, like coral or lichen... I suppose I should maybe have added a Trypophobia trigger warning for this ring, knowing a lot of people really have an aversion to this kind of holey texture. So if you feel a certain way about holes, I'm sorry.

This stack of Ocean Treasure rings are by Ami Pepper, who bases all her designs on the shape and texture of shell which look to have grown around gemstones, in this case sapphires and amethysts. Each of Pepper's designs are hand carved out of wax and cast in precious metals (9-14ct gold) in a process known as lost wax carving.

Essentially the process is this. You carve your design in carving wax, then attach a sprue, a tube of wax to allow the molten metal to flow into your casting, and if you're doing multiple pieces at once, you then attach this sprue to a larger wax tube creating a tree like design. Next you put the piece into an metal canister and fill it with plaster before allowing it to dry. Once fully dry, the mould is heated and the wax burns away leaving the negative space where your carvings used to be. The mould is very carefully filled with molten metal, which flows into the cavities, cooled slightly, then quenched in water which cools the casting completely and disintegrates the plaster. The casting can then be removed from the sprue, cleaned, sanded, polished and perfected into a piece of jewellery.

It's a particularly good technique for jewellery such as Pepper's who carve their designs, as well as for casting multiples of the same element. Olya oBo's rings above also being a good example, as within their Etsy shop, they have multiple of the same ring in different colour stories, so having these cast will save them a lot of time and allow them to keep their selling price a little lower. This isn't always the case, but it can help. 

I really love this style of jewellery, and Ami Pepper is completely new to me and I'm into it. These genuinely look like it could just be growing from the edge of a rock pool and formed round about a ring and some pretty polished pebbles. I particularly love the little mussels she's carved because I think that it not only adds to the naturalistic feel, but sets it apart from other jewellers who make things in a similar style. They're really lovely designs.


Link || Ami Pepper || Website || Instagram || Facebook



Architectural Riveted Rings, silver, gold plating, spray paint (2015)


When I started collecting together, the obvious link between these rings and the others was the colour. Initially I mistook this for either anodised titanium (the process of colouring titanium using an electrical current in an electrolyte solution or a blow torch, the colour being dictated by the voltage or heat the metal is being exposed too) or anodised aluminium (a similar process by including sulphuric acid and dyes) but in fact, jeweller Ruth Laird uses spray paint to achieve the colour within her work.

By using spray paint on her very linear, architectural jewellery, around the edges it has been worn away in a really natural, weathered fashion which softens the look of the harsh edges and allows the metal to peek through. Meaning that as it's worn, as the metal polishes and tarnishes, the paint will (I assume) also weather further, like layers of old painted surfaces tends to do with time. 

I like that. I like that when jewellery is loved and worn, it changes. Every ding in a old ring, every scratch, it doesn't have to signify damage. Amber warms in colour with body heat and exposure to oxygen over time. Matte finishes can slowly polish. And this can signify life and love of an object. After all, people tend to hide away their jewellery in their boxes, in a drawer, it being too good to wear. Then they wear the things that have significance, even if they're not their most expensive and seemingly important items, they're the ones that live.

For me, in the little bit of my brain that still thinks as a jeweller, weathering means wearing. Wearing means something someone's taken time and love in making, isn't just sitting in a drawer not being worn. Wear your jewellery, and if you want to keep it in good nick, buy a silver polish cloth to give them a clean, I used them for final polishing and they're very effective. Or go and see if the original jeweller you bought from or one in your local area offer cleanings. But wear your jewellery, there's nothing sadder than it being sat unworn.


Link || Ruth Laird || Website || Instagram || Twitter || Facebook



 (Double Cluster ring, glass, silver, 9ct Gold, paint, fresh water pearls, ceramic transfer, wood)

Jed Green is our final jewellery, and another who's new to me, and there's something about the cluster of glass, gold, silver and pearls that I find really attractive in her Double Cluster ring.

While I love half of this design, I'm not daft over the black sprouting wires, I understand that they help to balance the ring, that they add darkness, it is however the glass discs with their silver centres which I find really attractive. And Green's use of glass within her jewellery which I particularly appreciate. There's a lovely texture it brings to her work, and to this ring.

Aside from rings of clustering glass, and ones that look like glass finial flanking the fingers, Green also creates terrarium rings, with glass, pearls, and metal growing within. Which depending on what's inside of the glass dome, are either incredibly whimsical, with pops of colours and obvious flowers, or dark and enveloping, like creeping weeds in a graveyard. And while the concept of a terrarium ring isn't necessarily new - you can buy fillable glass dome rings easily enough through Etsy - but these are unique, and feel less like a filled dome and more like a terrarium with something growing inside. 

With any of the designs from Green, it's the combination of metal and glass that really make them special. 


Link || Jed Green || Website || Instagram


I know this has taken forever for me to post. I definitely wasn't distracted by watching The Witcher and getting confused while writing this post. Mostly I just couldn't seem to get myself to work out how to write it... thus explaining why there's so much whittering. I do apologise for both that and my tardiness.

But I hope some of these designs were interesting to you, even if you just skim the nonsense I wrote and just look at the pictures, like a sensible person.


Merry belated Christmas and New Year! Part six "before the sun sets on the third day"...


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Listening: It's Been A Year - Greg Laswell
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