Showing posts with label ring. Show all posts
Showing posts with label ring. Show all posts

Monday, 10 January 2022

On the 5th Day of Christmas...

... this blogger gave to thee...
... five gold things!..
... four FX plushies...
... three midnight magnets...
... two tricks and treats...
....a tale of lovely lore.


My grandpa always had a saying, "if it ain't bugs, the lum reeks", meaning if it's not one thing, it's something else. He said this to me a million times in my life, and it's one of those grandpa-isms that will always live in my brain, rent free and make me smile, because it's true.

And so, with that weird little saying, I'm giving you for Day 5, five jewellers and piece of jewellery that look like insects but aren't. Because who doesn't love an odd little segue into jewellery that's one thing, but looks like another.   



The first insect inspired piece of jewellery is this beautiful hand textured bumblebee necklace by the jewellery designer and maker, Alex Monroe.

The design is synonymous with the English designer, and has been seen on the necks of more than a couple of celebrities, and I've been in love with it for a few years. There's something beautifully accurate and simple about the design that has rightfully become an icon to the brand. 

"The bee represents a whole array of thoughts and emotions for me; 
Feminine strength, beauty, vulnerability, the Renaissance idea of the 
inevitable pain of love, community. There is a nostalgic Britishness to 
the bee, Beatrix Potter and the cottage country garden. And then of 
course there is the environmental role of bees, pollinating the world’s 
food while under constant threat from pollution. There is so much 
symbolism in my bee… I can see most of what I was after, and I hope 
people who buy or wear one might see just a little bit of my inspiration
in their bee, and of course, they will have their own ideas about what 
their bee means to them too!" (Alex Monroe)


With a career that spans thirty years, Monroe's nature inspired work is full of very nostalgic British iconography. Created by him and his team in his Bermondsey, London workshop, the designs start as sketches, then are sculpted in silver before being moulded, cast in precious metals, soldered together, plated, polished, stones set and finished. But it's the hand sculpting straight into the metal that gives his designs their signature textural appeal.


There are lots of other designs, including more entomological one such as the limited edition Dor Beetle Necklace set with Demantoid Garnets (the rarest of garnets because their green) from 2017, however the bumble bee stands out as something special.

Monroe has found his niche and has cultivated it, and has created a design that is popular because it's not only beautiful, but beautifully made. It's something to be admired because finding your niche is not always easy, and seeing I have his memoir, Two Turtle Doves, sitting next to my bed to read like a true jewellery geek, I should probably finally read it and see how it's done.


Link || Two Turtle Doves: A Memoir of Making Things by Alex Monroe || Website || Amazon || Waterstones || Blackwells || Abe Books || Bloomsbury || Good Reads





Now design number two gives me a very instinctive, nostalgic memory, which shouldn't be taken as an insult, because it's purely visceral. These insect rings kind of reminds me of those gold gem rings that you used to get in crackers and gumballs machines when you were a kid. In the best way possible seeing I loved and coveted these things as a child. It's a tiny curio shaped in a form that many people find to be frightening or disgusting, and turning it into something beautiful, a teeny bit creepy and fascinating.

If I'd gotten something like this out of a gumball machine I'd probably still have and wear it, because this ring is elegant, modern and is a really interesting take on the tradition of insect based jewellery seen all over the world. In particular that of the Egyptian scarab ring, which featured carved or cast scarab beetles set like a stone.

Designed by siblings Paola and Humbert Sasplugas, founders of Barcelona based PDPAOLA, the Courage Beetle Ring from the House of Beetles Collection, is part of the pairs attempt to capture this historical importance and meaning that insects have had ceremonially, spiritually and decoratively for centuries, but give it their own modern twist. 

"Beetles have played different roles in human history. Thanks to their
beauty, complexity and presence in the natural world, this insect has
been the protagonist in folklore, art, and literature (from West to East).
Beetles represent a real connection between us."

The ring is made of 18k gold plated sterling silver, and studded with labradorite (personally one of favourite gemstones), apple green, champagne and violet zirconia to mimic the body and wing casing of their representation of a stag beetle, and I'd wear this in a heartbeat because it's that weird mixture of creepy and cute that I love. It's suitably anatomical that you know what it is, but not as though you're wearing a real bug on your hand, plus I really appreciate the subtle use of gemstones in these soft, muted colours rather than going for true jewel tones, because that, I think, would cheapen the design into the realms of costume jewellery and take it away from the "rebellious elegance with the right amount of effortless cool" that the brand strives for.

If I wore rings, I would definitely wear this and be completely obsessed by the little critter.


Link || PDPAOLA || Website || Instagram || Twitter || Facebook || TikTok || Pinterest || Spotify || YouTube
Link || Jewelry Cool-to-know Curiosities and Facts via PDPAOLA: The Mag (Blog)
Link || Beetles: Art and Culture Worldwide via PDPAOLA: The Mag (Blog)
Link || Scarab Ring || Wikipedia





Zoe Arnold is a jewellery designer and maker who I have admired for a long time, and it's not only because of her skill and technique she uses in her work, but the fact that they're objects of curiosity first. They're treasures, with their own little stories.


Bees are a frequent feature in Arnolds work, these beautiful fat bottomed insects are tiny little metal sculptures in their own right, and look like they're taking the place where a real bee should be preserved. However a huge part of her work in general, is the narrative she creates, many of her pieces of jewellery being based on her own poetry and stories, which is often her starting point, allowing her to add depth to her work and not leave it at the purely aesthetic. 

Arnold is also a collector, scouring flea markets and antique fairs to find oddities, as well as broken bits and pieces which to anyone else would be useless, but to her, are objects to be treasured and are full of potential use in her art. Most of her work is also housed in oak boxes or frames, different elements gathered together to create a piece of jewellery, and then allowed to have a home when not worn, to be displayed and treasured as not just an adornment, but art itself.

This unique, thoughtful approach to design is something I really appreciate, and why I always liked jewellery such as Arnold and Wendy Ramshaw, who build this secondary means of display directly into their artwork. I've never really liked the fact that when a piece of jewellery wasn't being worn, it was something that would put into a box, placed in a drawer and hidden away to keep it safe. Art is meant to be viewed, and handmade jewellery, which a metalsmith has toiled over, is art. It's their art and it shouldn't be hidden.

And I know I'm guilty of it too. But I think it's something more jewellers should think about, because no one wants their art relegated to a drawer under some socks.


Link || Zoe Arnold || Website || Instagram || Facebook || Pinterest
Link || Featured Artist: Zoe Arnold by Kate Tweddle via tweddlejewellery



(Brooch: Insects_ mantis || 2014 || Frog’s skin, leather, sterling silver, polymer clay, beads || 5.5 x 15 x 7 cm || Photo by: Kwangchoon Park)

I'm going to go ham with this next designers work because I think they're really cool pieces of design and I couldn't pick just one when I find them all so interesting.

Created by Seoul based jeweller, Yojae Lee, her work is made up of large scale, mixed media representations of insects that for many people have incredibly negative connotations, but are often incredibly beautiful when looked at in detail. 

(Brooch: Insects_ beetle || 2014 || Frog’s skin, leather, sterling silver, polymer clay || 9 x 15 x 7.4 cm || Photo by: Kwangchoon Park)

(Brooch: Insects_ spider || 2014 || Frog’s skin, crab’s shell, leather, sterling silver, polymer clay || 8 x 14 x 3 cm || Photo by: Kwangchoon Park)

"In a circumstance where discomfort and negativity are experienced, 
we tend to withdraw our gaze. To conceal repulsion itself, we embrace 
it with beauty. Although an insect exists as a familiar being, we often 
forget about this. Its value is only acknowledged when drawn with a 
flower or ornamented with jewelry. [...]  My work begins from a 
straightforward view. Each and every part of its body consisting of six
legs, two feelers and skin… My desire to express it the way it 
synchronizes and integrates with my imagination.
(Extract from Yojae Lee Artist StatementKlimt02)

(Brooch: Spider || 2017 || Frog skin, leather, sterling silver, polymer clay, oxidized, gold plated || 25.5 x 33 x 4 cm || Photo by: Kwangchoon Park)

I know for a fact that the Spider brooch will have caused discomfort for some, but it also highlights Lee's remarkable use of different media to create a cohesive design. Made up of materials including frog skin; leather; crab and other shells; rabbit fur; polymer clay as well as beads, semi-precious stones such as jade and sterling silver, each material brings it's own unique texture, colour or shape to emulate insects we're all familiar with on a grand scale.

Again, this isn't just about a little bug brooch you hide away in the sock drawer, but statement pieces which are meant to give a visceral, potential uncomfortable reaction and they're meant to be displayed and celebrated.

I think these are incredible and if I'm honest I didn't realise half of the materials Lee was using until I saw the materials listed and could suddenly see the creativity. These are wonderful, and if you want to see more of her work head to her Instagram or Klimt02 to see more. 


Link || Yojae Lee || Instagram || Klimt02 || Korean Contemporary Jewelry





Finally is the work of Jongseok Lim, another Seoul based jeweller, whose work I initially mistook for Yojae Lee's, and at first glance it could be justified, until you see the incredible manner in which he creates them. These are all made using a technique that has been being used in jewellery since 3,000 BC, filigree. 



Filigree is a jewellery technique where fine gold or silver wires are twisted togethers into threads, formed and then soldered together or to the surface of your object in intricate patterns to form an almost lace like piece of metalwork. It is an artform which has fallen out of fashion, but some jewellers still make incredibly beautiful and modern designs with it, and in Lim's case he's using the traditional technique to hand fabricate the bodies and limbs of his insects.


These insects don't look like filigree as many people would know it, but the twisted threads of silver brings an incredible amount of texture and dimension to these unique pieces of jewellery.

I think these are unbelievable.

Link || Jewelry Brooch: Jong Seok Lim via Designer Party
Link || Filigree || Wikipedia



Insect based jewellery isn't a new thing, it's been a motif that's appeared in fashion for thousands of years, and over the last few has had yet another resurgence with iconic fashion brands such as Dior and Alexander McQueen creating garments crawling with embroidered and beaded bugs. Though did it ever really go away? Butterflies are insects and are an incredibly common and accepted motif in fashion and jewellery, but they're pretty, not dirty or scary.

Insects are amazing, if you can get past the creepy crawly fear and actually look at them, lots of them are little jewel-like creatures that are incredibly interesting, inspiring and beautiful, for ugly bugs


Happy New Year! Part six is definitely dressed and ready and out the door on the way to the party, it's definitely not still getting ready...

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Listening: Spiderwebs - No Doubt

Sunday, 31 December 2017

On the 5th day of Christmas...

... this blogger gave to thee...

... five gold rings...
... four living hinges...
... three books for reading...
... two felted tooties...
... and a day Binging with Babish.

This year, we’re going with the traditional five golds rings, but we’re using the term ring loosely. Rings, necklaces and bracelets are all easily identifiable as rings, they don’t have to be circular, they can be as angular as you like, but they fit over a finger, a wrist or around the neck, so for a post about five gold rings, they’re easily included. Brooches pass through fabric and lock to create a loop, so in my head, they count as rings, so they’re in. Earrings however, they pass through the body, but don’t need to necessarily lock, they’re not always hoops and sometimes they hang free enough to fall out… but they have the benefit of having ring in their name, so the whole jewellery box gets included and my life whilst picking for this post should get easier.

This post is never easy. There are two ways to easily look for images of gold jewellery, one is through Google and the other is through Pinterest, but if you search for gold rings on either platform the results are not that inspiring. I follow people on Pinterest, this helps, I follow people who like jewellery, people who are jewellers, but the algorithm’s look for gold rings, which you get, but they’re wedding rings and engagement rings. Rings – and I don’t want to sound snobbish – that you will find in any high street chain jewellers. These can be beautiful, don't get me wrong, but I’m spoiled when it comes to jewellery, I’ve read too many books, seen too many other artists work, but I like what I suppose you’d term art jewellery. 

In other words, I still think as a jeweller sometimes and I like looking at others jewellers work. Which this post is supposed to celebrate, and this year we’re celebrating rings, brooches, bracelets and necklaces – oh my. Maybe next year I’ll challenge myself to only finding mass produced jewellery, if I’m feeling brave. OR just rename this particular day as five gold things... that would certainly open things up.

But for this year at least, we're sticking with jewellery...

Priceless Bangle, 2004 (detail) by Christel Van Der Laan
(Gold plated sterling silver, polypropylene swing tags)

I freaking love this. I have loved this for years now because it's not only beautiful, but it's simple and makes a throw away item incredibly elegant. Christel Van Der Laan's Priceless Bangle is made of a gold plated silver bangle threaded with hundreds of plastic swing tags that time after time we snap, cut and most often fail to effectively remove from new clothes. They're irritants that we throw in the bin and instantly forget about, and if you didn't know what this was made from, I think you'd be hard pressed to guess.

This just makes me happy. It's completely and utterly impracticable, but I like that it's sculptural. I would have this on my shelf just to look at. 
Bow Sweater Holder (Fabricated Memory: Jewelry Box, 1980) by Amy Tavern  
Sterling, 18K Vermeil

Amy Tavern is a jeweller whose blog I have been following for a very long time and watching her designs evolve through different projects. One thing that tends to go throughout each of her projects is her "bows", which I've always through looks like sycamore seedlings or moths. In this particular brooch the design is harking back to mid-twentieth century sweater/jumper clips, which allowed ladies to keep cardigans securely on their shoulders whether they were wearing it properly or simply had it loose over their shoulders. They've made made somewhat of a resurgence as shirt collar clips in more recent years and it's an interesting historical concept for a jeweller to revisit, as it allows you to incorporate both a brooch and a necklace into one design. Something Tavern has done rather beautifully here.

Something to look at, along with Chatelaines, which as a brooch, charm and ladies Swiss army knife combo has always intrigued me.

Blue Ombre Coral Ring, 2017 by Aineguil Telli
(Silver, brass, resin, pigments, glass)

Now, just as I've sat back down from making coffee to write this, my head has immediately started screaming: under the sea, under the sea, darling it's better, down where it's wetter, take it from me. What have they got a lot of sand, we've got a hot crustacean band... my brain is apparently trying to make me watch The Little Mermaid again, which is fine

Looking at Aineguil Telli's very tactile work is what's set that off, her Undersurface Collection is inspired by the creatures of the ocean, specifically coral. Cast in silver and brass, Telli's rings, brooches, neckpieces and earrings are encrusted with coloured resin which has been embedded with tiny glass beads to evoke the colour, form and texture of coral. This makes them sparkle in the light as if covered in tiny bubbles as if still under the water. Plus, in this particular ring there is that stunning combination of gold and vivid ultramarine blue, which is always a winner.

Oak Leaf Posy Ring, 2012 by Laura Baxter
(Silver, 18ct Gold, Brass)

Laura Baxter works on a tiny scale. Tiny flowers, tiny leaves, tiny seeds, tiny clouds and tiny birds in the limited pallet of gold, silver and black oxidised silver, which she makes into charms, sprays and simplified little vignettes. It's no small feat working on such a small scale in metal and finishing a piece neatly. The smaller the piece you're working on is, the harder it is to hold and the easier it is to damage. It makes it harder to file, sand and smooth edges effectively so takes times and patience, but Baxter has that down pat. Her designs are simple, but there's a lot of work there and I really appreciate that. 

Long Rose Bud Cluster Necklace by Donna Barry
(Rose gold, freshwater pearl and sterling silver - matt finish)

Before I started jewellery, after my first year of uni was finished, we were told by our soon to be tutor that we should try to go to a jewellery show. The only one I could get to,o which didn't involve going to London... which ironically now I'm think about it I was in at the beginning of that summer holiday with the university... was Dazzle, in Edinburgh during the Fringe Festival. This was the first time I'd been to any jewellery specific exhibition and having been hooked as soon as I was introduced to the department, I was almost giddy looking around. I guess at that point in time I was excited about the future in the field, and from that show I was introduced to designers that I still like to this day, and Donna Barry was one of them. 

There is something about jewellery which is made up of clusters of different stones, metal components or granulation's that I just find really attractive. They're natural, even when the 'flowers', like Barry and Baxter's are actually very simplistic, or angular like Amy Tavern's, they have an organic and tactile appeal in not only their appearance, but how they move and articulate differently to links and chain alone.

It's something I always feel I failed at in jewellery. I made chess sets, there's nothing more static and less organic looking than that, but it's something I always wanted to be able to achieve. Organic jewellery, without it being instantly recognisable as pretty flowers and leaves. So I applaud anyone who achieves it!

And, seeing this post is now two days late and has stopped me posting the 6th day on time, I need to explain… I hate Photoshop. I also don’t like myself much having not saved my images to file as I went along, and then had to watch as an error message appeared and it crashed out on me. Twice. Once the night it should have been posted and once yesterday evening as I have been re-editing everything. You'd think I'd have learnt, but as this is the third time I'm editing pictures for this post, I may genuinely have a cry and sack it in and go to bed. The ancient edition of Photoshop 7.0 I use, you may have gathered by now, doesn’t auto save. Photoshop is the reason this is late.

Photoshop will now have a short sharp shock as 2018 will be the year I try out Krita, an alternative digital painting program.

Thankfully day six is all finished, saved and just needs uploaded, so perhaps I’ll get back on track for day seven!


Merry Christmas! Part six today/tomorrow…


Link || Amy Tavern
Link || Aineguil Telli
Link || Laura Baxter
Link || Donna Barry
Link || Long Rose Bud Cluster Necklace by Donna Barry via The Biscuit Factory


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Listening: Here Comes Santa Claus (as Bon Iver) - Adam Horne

Thursday, 29 December 2016

On the 5th Day of Christmas...

... this blogger gave to thee...
... five gold rings...
... four filmic covers...
... three low light lovelies...
... two sassy sweatshirts...
... an ode to 2016.

This year, I learnt something about the Twelve Days of Christmas, I've always assumed that days in the song, with gifts such as maids a milking, lords a leaping, ladies dancing, drummers drumming and golden rings, were all literal, however there's a theory that in fact all the days are paying homage to different birds. Thus making today about collared pheasants instead of rings, so, for today, there was a choice, five pictures of collared pheasants or necklaces... I went for necklaces to make a nice change from rings, although if you'd prefer pheasants, I'll arrange that for next year.


Kathrin Sättele's beautiful chain necklace is made up of continuous pieces of 18 karat gold wire, linked together to create a simple piece of jewellery, with the really wonderful and clever feature of each link also acting an easily detachable and invisible clasp.

I genuinely love this because of it's elegant simplicity. I also know how hard it is to pull off a necklace like this, my own attempt at a hidden clasp in a chain was easy for me but apparently impossible for everyone else. Something to go back to one day maybe.
Kayo Saito is one of my favourite jewellers, and her Petal Series is one of the main reasons. The Petal Necklace Gold No.1 is made up of texture rolled 18 karat gold discs, organically curt and curved to represent small petals strung to overlap on the necklace. Again its one of those lovely examples of  how keeping it simple can be really effective.

Susanne Wein's Untitled Necklace made of gold plated silver elements, with blackened silver leaf tops on a stainless steel cable is both simple and a little chaotic at the same time. Which appeals to me, I like that on this particular necklace the repetitive element is the structural portion of the piece and the ways it's strung - with lots of space between pieces and room to move - makes it organic. Plus, black and gold is always a win.

Etsuko Sonobe "Necklace2002, K18 Gold" is the most structural of the five on this list, consisting of open gold boxes and pearls hidden within. It's all about the structure and it's great. It even reminds me of this old wooden articulated snake toy we had at home when we were kids, which I was always fascinated by how it was made flexible and irritated by how often I would get my fingers caught between the grooves and pinched. I feel like - bar the pinching - this is how this necklace would feel flexibility wise. Strangely rigid and flexible at the same time.

Is it strange that my favourite part of Sara Domènech "Taglio Necklace" is the texture? I love hand-scratched matte gold finishes on jewellery. I love the structure of the interlocking sliced and bent discs feeding into one another, it's like it's four predecessors really simple, but add in that scratched finish and it just adds that little bit extra that softens the whole piece.

If you can sense a theme in these necklaces, you're correct, I couldn't help but pick necklaces with repeating elements which form chains, but all with a degree of the organic about them. There's something about the mix of organic forms and the structure repetition or structural forms and organic arrangement brings which I really enjoy. Even if I can't seem to explain why in a sensical way.

Anyway, I hope you liked this selection of some beautiful necklaces by some terrific designers and makers, and the departure from the traditional rings, however if next year you'd prefer the potentially more traditional pheasants, just say, it could make for a strange alternative for the fifth day of Christmas...


Merry Christmas! Part six tomorrow...

Fuck you 2016!


Link || Twelve Birds of Christmas by John R. Henderson
Link || Kathrin Sättele Website

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Listening: Sad Quick Christmas Song - Abed in Community (written by Ludwig Göransson and performed by Danny Pudi, in Season 2 Episode 11: Abed's Uncontrollable Christmas.)

Tuesday, 29 December 2015

On the 5th Day of Christmas...

... this blogger gave to thee...
... five gold rings!..
... four micro art forms...
... three tubby little cubbies...
... two fancy pens...
... and a lego man made of a tree.

I love the fifth day of Christmas. It's the one I don't have to think about too hard to come up with an idea, because frankly it doesn't change year on year, but still always struggle to come up with five designs for you! The struggle is two fold, one, there are just too many beautiful rings out there which include gold, two, Pinterest and the rest of the web make it really impossible to narrow the search because if you just look for "gold rings" you get everything with those two words in them under the sun appearing in your search results.

First world problems.

Anyway, this year, partly because I changed my numbered image format, I get to show four rings I've been unable to include thus far, but absolutely love and am completely jealous of as a designer, as well as one I've never seen before but thought suited the set.
Analya Cespedes is a Chilean born jewellery designer, based in Washington. The inspiration for the majority of her work in based on nature and this is obvious in her Floral Rings (big and small). Cast from silver with 18k gold accents, these are sparingly simple designs, using the two metals for colour and polished and whitened surface of the unpolished silver to enhance the forms created by each leaf/shell. I love collections of these cup like forms used in jewellery, they're so effective for creating organic forms.

Mari Ishikawa, a Japanese jeweller based in Germany, also uses cast silver pod forms as the main structure of her ring, part of the Moonlight Shadow Series: Weaving Time, 2008 which has then be oxidised black, giving a much hard and industrial look to the ring than Cespedes polished shells. But then, almost like police tape, Ishikawa has wrapped her design in finely woven 18kt gold ribbon, softening the ring in juxtaposition to its slightly industrial and sharp black base. This one was new to me, but I like it!
Sabrina Meyns and her freaking beautiful jewellery. I just adorn her jewellery and if there's a level above jealousy, I'm probably there. There is just something so beautiful about the way she combines handmade paper, seeds (you can just make out dandelion clock seeds in the paper of this particular ring), 18kt gold, silver and steel to create these delicate, almost ethereal collaboration between soft natural materials and harder traditional metals used in jeweller. Meyns manages to interpret floral and plant forms using almost architectural metal forms on a natural base. These, in my opinion, are something special. 
Germany based designer, Tanja Friedrich's Gold & Oxi Quiril Ring comprise five interlocking ring, much like the traditional Russian wedding rings. Four of the bands are made of oxidised sterling silver, and a fifth out of 18ct yellow gold, however all are made from gold filled beaded or pearl wire (known to the supplier I used as fancy gallery wire), giving the design a unique spin. Gallery wire, particularly the pearl was everybody's new favourite material when I started fourth year at uni, it was as though I was the only person who hadn't discovered it over the summer! I obviously wasn't cool enough for the gallery wire club.
Lastly is another series of rings I love. Rui Kikuchi's Kinetic Flower Rings (Waratah) are made of silver, copper and gold leaf and hark back to the artist's life growing up in Australia, each of the rings (and brooches) representing a native plant or flower indigenous to the country. Now based in Japan, Kikuchi's rings each focus on a simple base form and the kinetic movement of the petal and leaf shaped elements, fitted into the shank of the ring allowing them to move with the wearer. It's a very simple form of kinetic jewellery, however perfect in its execution.

It's really annoying when jewellers make it look simple...

Merry Christmas! Part six tomorrow...

Link || Analya Cespedes Website
Link || Analya Cespedes on Artful Home
Link || Mari Ishikawa Website (Image via Biff on Tumblr)
Link || Mari Ishikawa on Klimt02 
Link || Sabrina Meyns on Portfolio
Link || Sabrina Meyns on Pinterest
Link || Tanja Friedrichs Website (on Pinterest)
Link || Tanja Friedrichs on Orro
Link || Rui Kikuchi Website

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Listening: Single Ladies - BeyoncĂ©

Sunday, 18 January 2015

Dulux Colour of the Year 2015: Copper Blush II


WARNING: MAY CONTAIN METALLICS

Dulux Colour of the Year is Copper Blush... did you expect anything less than copper overload?

Especially coming from a (failed) jeweller? You're really lucky I didn't just put up a picture of a sheet of copper and some wire! That would have done me, but instead I've ended up with fifteen Copper Blush items I would not be unhappy with. Then again, a reel of thick electrical cable to strip down into huge coils of lovely new copper wire would make me happy too, especially as I used the last/most of my old one making crocheted flowers.

As I said in my last post, I actually think that this is a great colour for fashion and objects, it's got a really great rose gold quality to it and skirts between really quite an orange copper, right back to being very pink in hue.

Plus, nude colours have been big the last few years, so, let's face it, this is just another nude to add to your palette.

  1. Bleach Super Cool Colours in 'Rosé' and 'Awkward Orange' from Bleach London | Link How-To
  2. Frends 'Layla' Headphones in Rose Gold and White from Frends | Link | Image
  3. Rose Gold Fox Earrings Stud Simple Earrings by Petitformal on Etsy | Link
  4. Folded Copper Light by David Derkse from Vij5 | Link | David Derksen 
  5. Stila Magnificent Metals Foil Finish Eye Shadow in 'Rose Gold' from Stila | Link
  6. Blush with Copper Accents Scarf by Francesca's via Allwomenstalk | Link
  7. Maybelline Eye Studio Color Tattoo Metal Eyeshadow in '65 Pink Gold' via ASOS | Link Image
  8. Sexy Mother Pucker Gloss Stick in Nudist from Soap and Glory | Link Image
  9. Moscow Mule Mug from Anthropologie US | Link
  10. Lucia Mirrored Plexi Clutch from Stella McCartney via Pinterest | Link | Stella McCartney
  11. Madden Girl Treble Chunky Sequin Pumps via Pinterest | Link
  12. O.P.I Nail Lacquer in 'Hands Off My Kielbasa' from O.P.I. | Link
  13. Essie Nail Lacquer in 'Penny Talk' from Essie | Link
  14. Tricolour Gold & Platinum Wedding Rings by Niessing  from Orro Glasgow | Link
  15. 'Dinner and Romance' Dress from Modcloth | Link
But alas, I don't think Copper Blush is my colour, too pale for me. I can wear bright yellow, bright red, bright pink or greens and feel no dent in my, albeit tiny amount of confidence, but put me in white or a nude colour and I feel really self concious.

Bar, when my hair went that peachy colour when it was bleached and the pink was all but gone, I loved that. And I would very much like those headphones, so when I'm drinking my favourite cocktail, the Moscow Mule*, in a copper mug, I can listen to some good music and quietly get drunk in my own little world**.

Unexpectedly good colour choice Dulux!
.

* If you fancy a Moscow Mule, mix two shots of vodka with the juice of half a lime and your favourite ginger beer to taste. Serve in a copper mug if you can, but if not, just over lots of ice. Plus, if you're feeling fancy, add some raspberries for a Raspberry Moscow Mule, which is the drink I had when I got my degree results in the beer garden of one of the uni locals.

** Yep, drinking alone is kinda the mood I'm feeling for today.



Link | Dulux Colour of the Year 2015
Link | Colour Futures 2015
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Listening: Copperline - James Taylor

Pantone Colour of the Year 2015: Marsala II


As always, the fun part now of the Pantone Colour of the Year posts, finding Marsala inspired objet d'art.

And like I said on my first post, a bit like last year, this was actually a really hard colour to find close matches too because of that muted quality this particular red has. But, I have done my best and my board has the fifteen most muted wine shades I could find for you.

  1. Essie Nail Lacquer in 'In Stitches' from Essie | Link
  2. 3 in 1 Colour Block Gloves in Red (Burgundy) from Accessorize | Link
  3. Pomegranate Necklace (Ruby and Oxidized Silver) by Artesserae on Etsy | Link
  4. Maybelline Color Drama Intense Velvet Lip Pencil in '210 Keep It Classy' from Maybelline | Link
  5. Julianne Hough Suede Oxfords in Burgundy via Pinterest | Link
  6. Ombre Herringbone Cashmink Scarf in Navy/Burgundy from John Lewis | Link
  7. Manic Panic Classic Semi-Permanent Hair Dye in 'Vampire's Kiss' from Manic Panic | Link
  8. 'Props To Your Panache' Heels in Cranberry from Modcloth  | Link
  9. 'Cavendish Clutch' by Stella McCartney | Link
  10. 'Garnet Cluster Ring' (Oxidised silver ring with moving briolette garnet beads and 18ct gold) by Marianne Anderson | Link
  11. Converse Chuck Taylor All Star Washed in 'Oxheart' from Converse | Link
  12. Bourjois Color Edition Cream Eye Shadow in '05 Prune Nocturne' from Superdrug | Link | Image
  13. Butter London Nail Lacquer in 'Tramp Stamp' from Butter London | Link
  14. Stila Magnificent Metals Foil Finish Eye Shadow in 'Metallic Merlot' | Link
  15. Chi Chi Beaded Sleeveless Skater Dress from Dorothy Perkins | Link

I don't know about you, but I would wear/use pretty much everything on this board (I even have four and twelve). Bar possibly the dress. I like it a lot, but I'd look like... well... I wouldn't look good in it. I'd look pretty appalling in it. But someone else would look lovely...

... I'm starting to wish I'd picked another dress now. But my little sister let me down on her assistance for the great dress hunt. Damn her and her skinny britches!

One of the items I'd really like to pick up on is the ring, which is by Marianne Anderson, who is a wonderful Glaswegian jeweller, who I don't know personally, but have said hello too from time to time on Pinterest. I really wanted to give one of her rings pride of place as part of the 5th Day of Christmas, but the ring I picked, alongside the other designs, didn't suit the collection. I was going to save her until next year, but Pantone, has let me post it early because she uses a lot of those beautiful wine coloured garnets in her work. I just love the juxtaposition between simply set garnets and then quite chunky, oxidised and textured silver bands. It's a hard balance to walk between a good chunky ring and a bad chunky ring, Marianne's are definitely good chunky.

As for the rest, I am aware that they're very female-centric boards, with dresses and makeup and jewellery, but, hey, I'm a girl. And I look for things I like, I like jewellery, I like nail varnish, I like makeup, I like scarves and Converse and dying my hair bright colours. 

I also like that a deep red might get a bit more usage this year, I'm not a pale colour person, I like the deep, the dark and the jewels... three things which as soon as Christmas passes seem to be ignored.

Maybe Marsala will prove me wrong, if not, get the bottle out and get pouring.

Link | Pantone Colour of the Year 2015: Marsala
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Listening: Get Over It - Guillemots
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